ንድፊ ኣቕሑ Long Time Wall Clock ብ Shelly Agronin Long Time Clock is inspired by the captivating art of kirigami, a traditional Japanese technique that beautifully combines folding and cutting paper. Just like in kirigami, this clock is a blend of art and functionality. The cutting and folding technique allows for the creation of Roman numerals on the clock's sides. As a result, the numerals themselves seem to leap out of the metal strip, creating a play of positive and negative areas. Made from a laser-cut strip of aluminum, the clock has been sustainably designed to minimize material waste.
ተዓዋታይ ሽልማት A' Design Award
Long Time Wall Clock ብ Shelly Agronin፣ ኣብ ውድድር A' ሽልማት ንድፊ ኣቕሑ ክቡር ተዓዋታይ እዩ. Long Time Wall Clock ኣብ 2024 ሽልማት A' Design Award ረኺቡ፣ ኣብ Furniture Design Winners ድማ ምስ ካልኦት ኣቓልቦ ዝስሕቡ ንድፍታት ይቐርብ. ዝርዝር እቲ ፕሮጀክት ተመልከቱ፣ ካልኦት ስራሓት Shelly Agronin ድማ ኣለልዩ፣ ንድፊ Long Time Wall Clock ካብ ተወዳደርቱ ብኸመይ ከም ዝበልጽ ተመልከቱ.
ብዛዕባ Long Time
ንድፊ ኣቕሑ Long Time Wall Clock ብ Shelly Agronin Long Time Clock is inspired by the captivating art of kirigami, a traditional Japanese technique that beautifully combines folding and cutting paper. Just like in kirigami, this clock is a blend of art and functionality. The cutting and folding technique allows for the creation of Roman numerals on the clock's sides. As a result, the numerals themselves seem to leap out of the metal strip, creating a play of positive and negative areas. Made from a laser-cut strip of aluminum, the clock has been sustainably designed to minimize material waste. Long Time ብደረጃ ሓጺን A' Design Award ረኺቡ፣ እዚ ድማ ኣብ A' Design Award & Competition ዝወሃብ ክቡር ኣፍልጦ እዩ. ንድፍታት ደረጃ ሓጺን ድልዱላት ሓሳባትን ሞያዊ ንድፍን የርእዩ፣ ምስ ሽልማት ዝረኸቡ ስራሓት ንኽሕተሙ ድማ ብሰፊሕ ጉጅለ ዳያኑ ይምረጹ. እዚ ምርጫ ድሕሪ ፍትሓዊ፣ ቅኑዕ፣ ኣብ ብቕዓት ዝተመርኮሰን ዘይሻራዊ ኣካዳሚያዊ ገምጋም ይካየድ፣ ኣብዚ መስርሕ ዝቐረቡ ስራሓት ኣቐዲሞም ብዝተወሰኑን ንህዝቢ ክፉታት ብዝኾኑን መዐቀኒታት ገምጋም፣ ብስርዓት መንነት ፈጣሪ ዝተሰወረሉ ግምገማ መዛኑ ድምጺ ይወሃቦም.
ተወሰኽቲ ንድፍታት Shelly Agronin
ተወሳኺ ኣብ ምድብ ንድፊ ኣቕሑ
ናይ ሎሚ ብሉጽ ንድፊ
ጽቡቕ ንድፊ ኣለኩምዶ?
ንድፍኹም ናብ A' Design Awards ኣቕርቡ፣ ኣብ Furniture Design Winners ተመዝገቡ፣ ዓለምለኻዊ ኣፍልጦ ድማ ርኸቡ.
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